Five Fingers

October 31, 2004

Juxtaposition

Filed under: Art, Design, Film/Video, Hypertext, New Media, Photography — john @ 9:50 am

One of those words…

\Jux`ta*po*si”tion\, n. [L. juxta near + positio position: cf. F. juxtaposition. See Just, v. i., and Position.] A placing or being placed in nearness or contiguity, or side by side; as, a juxtaposition of words.

Of the many things (or few things depending on my perspective) that I remember from being an undergraduate is this interesting word. I don’t recall my original introduction to it but it became an important word in my vocabulary as I evolved into my senior thesis in photography where the idea of placing one photograph next to another began to fascinate me.

It is a simple premise really. Place any photograph next to another and things change – one affects the other. My initial interest began with graphic relationships – I referred to how these juxtaposed images “echoed” one another. But it was my art history professor who changed everything when he referred to one of these juxtapositions as a visual “poem.”

This was a major personal revelation for me. I realized that I had stumbled upon something that had a long history – the relationships between “objects” be they images, words, or sounds. Dada and Surrealism had taught me that but it had never clicked in my naive, innocent, and ignorant state.

These memories were recalled by preparing for a lecture about film editing for the next New Media class. It was then that I first realized the significance of narrative – the causality of juxtapositioning anything. It was pure research and experimentation on my part – “what happens if I put this before that…?”

Bordwell speaks of the four dimensions of editing in film as the relationships between shot A and shot B: graphic, rhythmic, spatial, and temporal. These are part of the many elements that make film such a unique medium. One might say this is the juxtapositioning of images.

But what about words and language? That word juxtapose helped illuminate the nature of poetry:

Graphic: crimson sky
Rhythmic: crimson skies at night
Spatial: vast crimson sky above
Temporal: the crimson sky morphed into darkness

Editing: the juxtapositioning of signs and symbols as an attempt to create or discover meanings. A significant element of narrative structure.

October 9, 2004

On Topology (2)

Filed under: Art, New Media, Photography — john @ 11:07 am

From the Grove Dictionary of Art:

New Topographics:
Term first used by the American William Jenkins (1975 exh. cat.) to characterize the style of a number of young photographers he had chosen for the exhibition at the International Museum of Photography, Rochester, NY, in 1975. These photographers avoided the ‘subjective’ themes of beauty and emotion and shared an apparent disregard for traditional subject-matter. Instead they emphasized the ‘objective’ description of a location, showing a preference for landscape that included everyday features of industrial culture. This style, suggesting a tradition of documentary rather than formalist photography, is related to the idea of ‘social landscape’, which explores how man affects his natural environment. Jenkins traced the style back to several photographic series by Edward Ruscha in the early 1960s of urban subjects such as petrol stations and Los Angeles apartments.

Frank Gohlke, Untitled 46, color photograph, 1988

I was fortunate enough to experience the original New Topographics exhibition at the George Eastman House and meet the curator William Jenkins. Being a poor undergraduate, I couldn’t afford the exhibit catalog but upon seeing this I wish I could have.

Topological Reference

Filed under: Art, Education, New Media, Photography — john @ 10:46 am

And this from Lev Manovich: For A Post-Media Aesthetics

On Topology

Filed under: New Media, Photography — john @ 10:38 am

The term ‘topology’ has always intrigued me since it became a significant aspect of photography in the 1970s. We can think of the word as referring to the narrative of any given space: the effects of time on space. The topology of a story is speaking to the ‘hows’ and ‘whys’ it came to be the way it is at the ‘present.’ The Little Red Cap project works at two levels: to remediate it from one form to another and also to record its topological evolution.

Then, while perusing the dictionary, this appeared: “The art of, or method for, assisting the memory by associating the thing or subject to be remembered with some place.” Is it also topology when we ask “*Where* have I known you before?” or “We’ll always have Paris“?

October 8, 2004

Myst IV

Filed under: Gaming, Hypertext, Interactive Fiction, New Media — john @ 10:44 am

Myst IV – Revelations is close to release.

From what little I have experienced here so far – I see the influence of Syberia and, of course, interactive fiction.

Separation of Design & Content

Filed under: Design, New Media, Web — john @ 10:18 am

Recently, while preparing an introductory lecture regarding style sheets (CSS) for my Web Design & Development class. I stumbled across a seemingly simple concept: the use of style sheets is a move towards keeping the content and design separate.

Can this be absolute? In traditional HTML documents, the design is embedded , through the use of HTML tags, within the content. (View the source code of any Web page to see this.) The use of style sheets means that editing one document can change the design (the “look”) of many documents (the content). Even here though, there are still design elements embedded within the content for the style sheet to reference. This is certainly not an absolute example.

One example that we might argue is an absolute is in the software program “Painter.” Here we could run a photograph through a “Van Gogh” filter to produce a new effect on that photograph. But the end result is a second image where the filter effect (design) is permanently embedded into the photograph (content). In other words, to apply a new design we would still have to work from the original copy of that photograph.

Is it possible to take a plain text file and apply some design to it and display it without changing the original text file nor creating a second version of it?

Interesting quandry.

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